{"id":11,"date":"2021-09-19T17:37:14","date_gmt":"2021-09-19T15:37:14","guid":{"rendered":"http:\/\/marie-talalaeff.com\/?page_id=11"},"modified":"2021-09-19T18:28:22","modified_gmt":"2021-09-19T16:28:22","slug":"lartiste-son-atelier","status":"publish","type":"page","link":"https:\/\/marie-talalaeff.com\/index.php\/lartiste-son-atelier\/","title":{"rendered":"L’artiste & son atelier"},"content":{"rendered":"
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Dipl\u00f4m\u00e9e de l\u2019\u00e9cole ESMOD en stylisme\/ mod\u00e9lisme Marie Talaleff travaille de nombreuses ann\u00e9es comme styliste aupr\u00e8s de diff\u00e9rentes entreprises textiles.
\nAimant la couleur et la mati\u00e8re, elle d\u00e9couvre en 2008 la plasticit\u00e9 du papier qui lui donne la libert\u00e9 de passer du plat (du textile) au volume et va dor\u00e9navant dicter son processus cr\u00e9atif.
\nSuivront des expositions qui l\u2019am\u00e8neront \u00e0 adh\u00e9rer aux Ateliers d\u2019Art de France (AAF)<\/em>.
\nEn 2012, elle est\u00a0s\u00e9lectionn\u00e9e par la Korean Craft and Design Foundation<\/em> et les AAF<\/em> pour une r\u00e9sidence d\u2019un mois \u00e0 S\u00e9oul aupr\u00e8s d\u2019une artiste cor\u00e9enne, Sim Hwa-sook, qui travaille le papier traditionnel cor\u00e9en\u00a0: le Hanji<\/em>.
\nCe s\u00e9jour en Asie va profond\u00e9ment modifier son regard sur le papier et ses propres techniques de travail.
\nSuivront d\u2019autres expositions (\u00ab\u00a0Bestial\u00a0\u00bb, Galerie Terres d\u2019Aligre, Galerie Art et Libert\u00e9, Salon d\u2019Art contemporain Mac Paris, Figuration critique..).
\nMarie Talalaeff \u00a0travaille le papier et ses \u0153uvres sont des pi\u00e8ces uniques.
\n<\/strong>Ses sujets sont toujours des animaux.
\nElle l\u2019explique par le fait qu\u2019elle a v\u00e9cu toute son enfance dans une grande maison o\u00f9 cohabitaient chiens, chats, canards d\u2019ornement, serpents, cam\u00e9l\u00e9ons et des poules de luxe.
\nCette relation amour\/haine entretenue avec tous ces animaux l\u2019a sans aucun doute marqu\u00e9e au point d\u2019en faire sa source d\u2019inspiration.
\nSon travail se d\u00e9ploie dans deux univers\u00a0:
\nUn en couleur, tr\u00e8s r\u00e9aliste, \u00e0 la limite de la taxidermie,
\nL\u2019autre, tr\u00e8s contemporain, blanc, habit\u00e9 majoritairement par des troph\u00e9es.
\nApr\u00e8s avoir imagin\u00e9 la structure avec divers mat\u00e9riaux (grillage, c\u00e2ble \u00e9lectrique, fil de fer..), elle sculpte avec du papier et de la p\u00e2te \u00e0 papier.
\nLe papier, par sa tr\u00e8s grande diversit\u00e9, lui offre des possibilit\u00e9s infinies pour cr\u00e9er.
\nEt plus particuli\u00e8rement le papier m\u00e2ch\u00e9, dont la texture tr\u00e8s mall\u00e9able autorise toutes les formes de cr\u00e9ation.<\/p>\n<\/div>

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Marie Talaleff graduated from the reputed ESMOD Fashion design and Creation school in Paris and went on to work for a number of years as a creative designer for different textile companies.
\nShe especially loves colour and texture.
\nIn 2008, she discovered the plasticity of paper, giving her the freedom to move from flat (as in textile) to volume. Paper has since become her favourite material.
\nShe participated at various exhibitions that lead her to become a member of a prestigious organisation proposing French Art workshops named Ateliers d\u2019Art de France (AFF)<\/em>.
\nIn 2012, she was selected by the Korean Craft and Design Foundation<\/em> and AAF<\/em> to go and live in Seoul for a month with the Korean artist, Sim Hwa-sook, who creates from traditional Korean paper called Hanji<\/em>.
\nThis trip to Asia radically changed her view on paper and on her own work techniques.
\nOther exhibitions then followed, such as \u201cBestial<\/em>\u201d, Galerie Terres d\u2019Aligre, \u201clorsque le papier fait un carton\u201d<\/em> Galerie Art et Libert\u00e9, Salon d\u2019Art contemporain Mac Paris, Figuration Critique au Bastille Center de Paris etc.
\nMarie Talalaeff creates from paper and her works are unique.
\n<\/strong>Her subjects are always animals.
\nShe explains this by the fact that as a child, she lived in a large house where dogs, cats, ornamental ducks, snakes, chameleons and fancy hens cohabited.
\nThe love\/hate relationship she had with all these animals most certainly had a strong effect on her to the point of making them her source of inspiration.
\nHer work falls into 2 categories :
\n– In colour: very realistic, bordering on taxidermy,
\n-In white: very modern, generally displayed like a trophy.
\nShe creates the base structure using different materials, such as wire netting and electric cable and then sculpts with paper and paper pulp.
\nThe huge diversity of paper provides her with endless possibilities to create, especially papier-m\u00e2ch\u00e9, whose very mouldable texture enables her to create any shape or form<\/p>\n<\/div><\/div>\n